Showing posts with label Andrea Hairston. Show all posts
Showing posts with label Andrea Hairston. Show all posts

Sunday, June 24, 2012

Links for a Sunday afternoon

Summer officially arrived in the northern hemisphere this week, but Seattle's weather continues to be Spring-like, as though we've settled into mid-May weather for good. Which is all very pleasant, but I worry about my tomatoes and other hot-weather vegetables. (The lettuces and spinach and kales like it just fine, of course.)

I still haven't managed to write anything about WisCon for this blog. (Getting a bit late, I know...) I still hope to do that. In the meantime, here are some links.

--Versification has posted a review by Francesca Forrest of The Moment of Change. "Lemberg," she writes, "has chosen poems that represent the unruly, ungeneralizable expanse of human female experience."

--Electra at Starlady reviews Andrea Hairston's Mindscape-- and does so adopting the narrative form Andrea uses for character Lawanda Kitt's sections of the novel.
This is, in a way that I suspect many people would not want to really acknowledge, a truly American science fiction (science fantasy?) novel, and probably one of the few that I have read. Though there is a lot of Afro-futurism in here, there is also a lot of specifically American history, particularly the history of U.S.-Indian relations - born-again Sioux Ghost Dancers are central to the plot, and the final scenes take place at Wounded Knee. Furthermore, movies and a lot of Hollywood permeate the characters' lives and worldviews, as well as the fact that many of them are involved in movies as directors or actors or unwilling Extras. I liked the way that some of the characters were explicit about the fact that they didn't want to be co-opted into mainstream narratives, and probably my favorite character overall was Lawanda Kitt, a loud and proud ethnic throwback who shakes up the corrupt and rotting zone of Los Santos without fully realizing her own power, even though we only get her viewpoint in transmissions to various people. I didn't like Elleni quite so much, but by the end I understood her - indeed, one of the awesome things about this book is just how many awesome female characters there are.
--I've discovered a fantastic blog for high-quality local bird gossip: Union Bay Watch. Not only does the author, Larry, post his (and others') observations of avian life in Seattle, but he also provides spectacular photos (currently of eaglets and ongoing crow harassment of eagles, ospreys, and other larger birds) and very brief videos (for instance, of a Northern Flicker performing a mating dance). If you're at all interested in  birds, it's well worth checking out.

--A battle is under way at the University of Virginia between the board that governs the university (all of them--excepting the student representative-- the governor's political appointees who have contributed huge sums of money to political campaigns) on one side and the university's administration, faculty, and students on the other. To kick off its grand plan of turning the university into an online, for-profit diploma mill (explicitly, like Phoenix University), it fired the president of the university. I've been told of similar agendas at work on other campuses, but I've never heard of such a full-frontal assault quite like this one. The corporate-speak board members apparently conceive of themselves as enacting something known in the business world as "strategic dynamism." It's basically an embrace of instability as a way of ramming through measures of massive change before anyone has a chance of questioning much less thinking through the potential consequences of those measures. (Sort of like what happened in the US Government after the Supreme Court installed George W. Bush as POTUS.) The board has also hired the notorious Hill+Knowlton Strategies to manage public perceptions of their machinations. Although the protests at the UVA campus are tremendous (as seen by the refusal to serve of the person the board appointed as the president pro-tem), the fact that it is summer makes it seem unlikely that the protests can be sustained. I also wonder how far the main source of protest-- the faculty-- will be willing to go in the struggle. Of course it is their jobs (and their workplace) that will eventually be on the line. But since lost jobs aren't imminent, and almost all notions of personal interest tend to be located in the short-term, my hopes aren't high.

Thursday, May 31, 2012

Impolitic! by Andrea Hairston and Debbie Notkin

Now that we're back from WisCon, Aqueduct is ready to offer the latest book in our WisCon Guest of Honor series, Impolitic!, to those who didn't make it to WisCon this year. We always wait to offer this because we print only 175 copies. (They are also numbered.) Impolitic! is 180 pages. In a long essay, Debbie samples her incisive blog posts on body politics, examining the narratives told about our bodies and how we are told to live in and think about them, inciting her readers to the most profound rebellion. Andrea offers us a short fiction, “Griots of the Galaxy,” that enacts that profound rebellion in all its visceral, thrilling drama. Her essay, “Prophetic Artists,” grounded in the early twenty-first century, looks to Octavia Butler and others to illuminate the immanent possibilities of the here and now, reminding us of why sf/f is so necessary to us in 2012. And finally, Debbie and Andrea interview one another. Impolitic! is, throughout, an exemplar of what Hairston in that interview calls the “theatre of the mind,” where “lived experience is transformed into meaning and performed.” 

You can purchase it here. Just fyi, the GoH books are the only books we allow to go out of print when their runs have sold out.

Friday, May 25, 2012

WisCon 36!

Last night, taking the stage in the back room of Room of One's Own Bookstore in Madison, Debbie Notkin and Andrea Hairston launched WisCon with considerable panache. Debbie opened by reading a piece, both poignant and funny, on her mother. Her tone, reading, was understated and matter-of-fact, creating a striking and highly effective contrast to its intense emotional content. And then in a wild change of pace and tone, exuberant and crackling with energy, Andrea, accompanied by Pan Morigan, filled the room with the drama of excerpts from Redwood and Wildfire. Andrea's performance was interpolated by songs from the novel, which Pan (who composed the music to go along with the songs) sang. (Pan's banjo also created a distinctive atmosphere as Andrea read.) Andrea's reading culminated with one of those songs in which Pan's voice soared, and into which Andrea drew the audience to join. The audience's applause was absolutely thunderous.

All of this was part of the WisCon tradition. Debbie's reading nonfiction and Andrea's theatrical performance with Pan rang interesting changes on the tradition. Isn't that part of what we love about WisCon's traditions? That they offer forms that can be flexibly stretched to accommodate so many different approaches and kinds of creativity?

I do love this traditional Thursday evening opener that Room hosts. It's a wonderful bookstore to start with, and becomes even more wonderful when it fills with people most of whom haven't seen one another for months or in many cases for an entire year. Granted my travel day yesterday, which started at 4:30 a.m., was unduly protracted (including about an hour spent in an airplane without ventilation much less air-conditioning, parked at the gate, apparently waiting to have its auxiliary power supply restored). All of that fell away from me as I immersed myself in WisCon sociability. Before the reading, which starts at 6:30, Room always offers a spread of wine and cheese and veggies, which people sip and munch while moving among the book displays (so many Aqueduct Press books! Yay!) and hugging and chatting in a terrific crush of bodies. The trick is to make it into the back room in good enough time to snag a chair. (There are lots of chairs, but somehow, every year, quite a few people end up standing or, sometimes, sitting on the floor.) When I first started coming to WisCon, I'd arrive on Friday. Only later did I realize what I had been missing.

I took some photos of Debbie, Andrea, and Pan, but they didn't come out. (I've never managed to take a decent picture in that room yet.) So I apologize for not being able to offer you visual images of the event. But I'm hoping to report in, maybe even later today, perhaps with pictures.

Thursday, May 3, 2012

A podcast you'll want to listen to


Check this out: Julia Rios interviews Andrea Hairston about her Tiptree-winning novel Redwood and Wildfire (particularly about early cinema and the work done in early 20th-century film by people of color), Shira Lipkin about her poem "Changeling's Lament," and Cat Rambo about her story "Clockwork Fairies." She's an excellent interviewer, is Julia Rios. And Andrea, of course, is always enthralling and inspiring. Consider it a preview for WisCon...

Friday, March 9, 2012

2011 Tipree Award is announced

Thrilling news! Andrea Hairston's Redwood and Wildfire has won the James Tiptree Jr. Award! Here's the low-down from the James Tiptree Jr. Award website:

Redwood and Wildfire by Andrea Hairston (Aqueduct Press, 2011) is the winner of the 2011 James Tiptree Jr. Award.

Redwood and Wildfire was a favorite of the jurors from the moment they read it. They reported: “This vivid and emotionally satisfying novel encompasses the life of Redwood, a hoodoo woman, as she migrates from rural Georgia to Chicago at the turn of the 20th century. While Redwood’s romance with Aidan Wildfire is central to the novel, female friendship is also a major theme, without deferring to the romance. Hairston incorporates romantic love into a constellation, rather than portraying it as a solo shining star. Her characters invoke a sky where it can shine; they live and love without losing themselves in cultural expectations, prejudices and stereotypes, all within a lovingly sketched historical frame.

“Intersections of race, class, and gender encompass these characters’ entire lives. They struggle with external and internal forces around questions of gender roles, love, identity, and sexuality. This challenge drives how they move through the world and how it sees them. The characters in Redwood and Wildfire deftly negotiate freedom and integrity in a society where it’s difficult to hold true to these things.”

Honor List:

In addition to selecting the winner, the jury chose a Tiptree Award Honor List. The Honor List is a strong part of the award’s identity and is used by many readers as a recommended reading list for the rest of the year. This year’s Honor List is:

Libba Bray, Beauty Queens (Scholastic Press 2011) — In this atypically comedic Tiptree candidate, a cast of iconic characters trapped on a hostile island (populated by the capitalist analog of Doctor No) illuminates the limited palette of roles for women and offers the hope of more rewarding and rounded lives.

L. Timmel Duchamp, “The Nones of Quintilus” (in her collection Never at Home, Aqueduct Press 2011) — This standout story addresses the relationships between mothers and daughters and how the world looks different when you become (or intend to become) pregnant.

Kameron Hurley, God’s War (Night Shade Books 2011) — Set on a marginally habitable world divided by a common religion with diverse interpretations, this engaging work explores a militaristic matriarchal society.

Gwyneth Jones, The Universe of Things (Aqueduct Press 2011) — Running through these gorgeous stories is a fierce awareness of how gender roles and other social power imbalances are always factors in how we think, how we approach one another, how we see the world. The author questions the status quo, and then questions the questioning, so what emerges is a mature, honest, thoughtful complexity.

Alice Sola Kim, “The Other Graces” (Asimov’s Science Fiction, July 2010) — This elegantly written short story revisits the role of mirroring in self-actualization and casts that path in a new and skiffy light as its heroine, Grace, is mentored by her older alternate selves. It also depicts racial/cultural intersections with gender roles.

Sandra McDonald, “Seven Sexy Cowboy Robots” (Strange Horizons,
2010.10.04) — A surreal and subversive take on human-AI relations. An older female character exploring her sexuality is a rare thing in science fiction, and it is refreshing to see it handled here with such a deft hand.

Maureen F. McHugh, “After the Apocalypse” (in her collection After the Apocalypse, Small Beer Press 2011) — This title story of an impressive collection brings to the foreground gender expectations concerning the practice of motherhood in extreme situations and then completely and matter-of-factly upends them.

Delia Sherman, The Freedom Maze (Big Mouth House 2011) — A clear-hearted, magically immersive time travel story that explores powerful ideas. Thrown back through time to an antebellum plantation, a thirteen-year-old comes to understand how women’s experience is shaped by cultural expectations as they interweave with social, economic, and racial truths.

Kim Westwood, The Courier’s New Bicycle (Harper Voyager Australia 2011) — This compelling novel depicts a variety of sexually transgressive characters and looks at themes of fertility and alternate family structures through a dystopic lens.

Thursday, February 2, 2012

Recommended for your pleasure!

Locus published their 2011 recommended reading list. Three books from Aqueduct are on the list:

Redwood and Wildfire by Andrea Hairston
The Universe of Things by Gwyneth Jones
Brood of Foxes by Kristin Livdahl

That's 37.5% of 2011 publications. Go Aqueduct!